CHAM Highlight: Rufus Chalmers, Jazz Demigod
At 17, Chalmers joined the Air Force to “become a man”, which led to a four year stint in London. It was a welcome escape from the increasingly tense situation in the United States. Emmett Till had been murdered only a few years prior and Martin Luther King’s famous “I Have a Dream Speech” was several years away. England wasn’t exactly a shining city on the hill for…
CHAM Highlight: Ling-Yen Jones and the art of the box
It's not uncommon for Asian Americans to feel like outsiders in a group of perpetual outsiders. America has long viewed the Asian diaspora with distrust, especially during times of great societal change or stress. Unsurprisingly, our parents often stress the importance of cultural assimilation, of fitting in. (My mother even gave me a "white" name…
When I Remember I See Red: American Indian Art and Activism in California
"When I remember I see red” is a phrase laden with allusions to memory, race, bloodshed, and anger. It recalls the American Indian experience and the activism that characterizes this generation of Native artists. In addition to creating compelling works of art, many helped restore aspects…
Docent Diversity Initiative: Looking at 2020 and Beyond
Few would argue against the idea that museums are the legacy of Western colonialism, serving as the products of straight, able-bodied, white, male privilege. This creates all sorts of problems when talking about “art” and “not-art”. And yet, paradoxically, many museums see themselves…